Friday, 13 March 2015

Gavcrimson looks at Blackpool

A cold wind against my face, blood and vomit on the streets, the strangely reassuring smell of fish and chips in the air, Blackpool is my kind of town.





No place in the UK embodies the British sex comedy aesthetic quite like Blackpool. Come to this place and it is not long before the line between a sex shop and a joke shop begins to blur. Gavcrimson didn’t have to walk but a few blocks from his first port of call before he encountered one such adult novelty shop, where in the window such old favourites as fake dog shit, his and her eatable underwear and chattering teeth complete with the newest adult novelty to hit Blackpool “Duck with a Dick”, a mixture of bath toy and sex aid. Mainly aimed at the stag and hen market, shops like this ensure that many a groom will wake-up on his wedding day, hung over and wondering why a well-endowed rubber duck is stuck up his ass.



 



Venturing inside this place reveals that if it can be eaten and made into the shape of a prick or a pair of breasts it will be sold in Blackpool. It was only after the fact, looking over these photographs on the way home, that I realised the shop had a ‘no photos’ policy, so Blackpool etiquette was inadvertently broken in order to bring you these undercover snaps.






Journey deeper into the heart of Blackpool and you frequently encounter one of the most popular adult novelties of recent years, the corruption of that family favourite Blackpool rock, that is Cock Rock.





Blackpool is wall to wall Fish and Chip shops, highly recommended and inexpensive is the Palma Cafe, where Gavcrimson was cured of a long-time aversion to Haddock, caused by a bad experience with one in the neighbouring town of Cleveleys. Thanks Palma.







A gathering of flying rodents, who can always be relied upon to leave their own distinct mark on the Blackpool landscape.






The Conspiracy exhibition, now closed- a conspiracy? Or maybe not, an online write-up of the place whilst it was active gives an idea of what I missed “I paid £3.50 to sit in a large room watching a "Confronting the Evidence" DVD about 9/11 which was later available in for sale for £3. Not only that, it was run on a loop and visitors weren't given the privilege of necessarily watching it from the beginning, they were just ushered in at any point”.






The DVD stalls at Blackpool’s various markets could never be accused of not having eclectic tastes, John Wayne, Tram Journeys, Hitler and Cannon and Ball are all represented here, two unlikely popular titles are Abel Ferrara’s The Driller Killer and Zombie Holocaust, seemingly every DVD stall I encountered had at least one copy of both.






You’ll note that a row of cock rock made a return appearance in that last photo, in libellously close proximity to a DVD with Cliff Richard’s face on it. Alas I failed to satisfactorily snap this stall’s comedy section, which mainly comprised of DVDs of live Bernard Manning shows and episodes of Love Thy Neighbour, a selection that no doubt has the same effect on the sensitive and politically correct at heart that crucifixes and mirrors have on vampires.

 

Blackpool has never been ashamed about having one foot in the past, and this stretches to its taste in pornography. Right up until the very dying days of VHS in the early 2000s, you could still walk into many a shop in Blackpool and be greeted by the face of Pauline Hickey/Zoe Lee staring at you from sun bleached VHS copies of ‘Sexy Secrets of the Kissogram Girls’, the first of many big bust fetish videos made in the 1980s by Hove based Peter Kay for his Strand International video label. Kays’s videos like The Naughty Dreams of Miss Owen, Stag Show Girls and the horror themed The Initiants - often featured their large bosomed stars arranged in rows on their covers in the manner of end of year school photos- and really found their niche in Blackpool where they were warmly taken to Blackpool’s own heavy bosom.







Peter Kay videos – a Blackpool ubiquity till the dying days of VHS.


Now that DVD rules the roost the Kay tapes have disappeared, replaced by 1990s and early 2000s looking British porno on DVD. A limp reminder of what passed for porno in the UK prior to the legalisation of hardcore and the internet, the hard sell of ‘real sex’ on these DVD covers predictably mutates into striptease and dispassionately mimed sex acts in these softcore productions themselves. Long out of the public eye porn stars like Teresa May and Linsey Dawn Mckenzie still retain the popularity they once held in the 1990s and 2000s here in Blackpool, thanks to the DVD stalls still stocking their old productions like Teresa Takes Ten Inches, Nude and Naughty and In Bed With Linsey. Blackpool acts as a museum to their careers, the DVD graveyard for the hard working shaggers of yesteryear.






A couple of (non-porn) familiar faces from the past are also still doing the rounds here as well.






Others have found themselves immortalised outside the booths of gypsy fortune tellers. Maria seems quite happy to handle Bob Monkhouse’s balls, however Mary Millington allegedly turned down repeated offers to do the same during the 1970s.



  


A reflective moment on the North Pier was broken by the sight of this old timer, who for some inexplicable reason decided to roll up his trouser leg and show us some leg, put it away man, you’re no Mary Millington.





Of course no visit to Blackpool would be complete without feeding those hungry slot machines your hard earned shrapnel.





 

Are you are a Stud or a Dud?, feed this machine your shrapnel and find out.






Go beyond the exterior of the Golden mile though, and into the backstreets of Blackpool and there is the realisation that Blackpool hasn’t escaped a beating from the economic meltdown of the past few years, evidenced by a ghost town parade of closed down or shuttered up shops, cafes and lap dancing clubs. The backstreets of Blackpool appear to have achieved the same state of decay as the London of 1967 documented by Norman Cohen’s The London Nobody Knows. Spurred on by an urgent sense of preservation, gavcrimson similarly documents these sights with the resigned knowledge that the wrecking ball can’t be too far away.



 


A call of nature is what initially brought me to the second floor of Funland Amusements. A 1970s working men’s club feel to this place is rather inevitable, given the brown and dark orange colour scheme. This is a place so eerily empty that the first time I ventured here it crossed my worried mind that I might have trespassed into a long-closed off section of this place. On the rare occasion that people run into other human beings here they tend to react with surprise, if not fear, that anyone else should be there and become immediately suspicious of each other’s motives for being there. Although the snack bar appears fully functional it never appears to be open. That ‘Carnival of Souls’ vibe one tends to get from off-season Blackpool, that of a place that by rights should be full of laughter and excitement but instead is deserted, frozen in time and in cold silence, is strong in here. Needless to say I’m rather smitten by this place and always make a point of trying to soak up its atmosphere when I’m in town, as well as stare at those big orange domes. Call it the Gavcrimson version of what he’d like the afterlife to look like.






Two sights to end our little journey then, both from the outskirts of town, and each in their own different way trying to capture the attention of Blackpoolian sinners as they leave the place. Anyone for cock rock?



Wednesday, 4 March 2015

The Mark of Death


I’ve always wondered who the band in the early scenes of Antony Balch's Horror Hospital really were. Credited as 'Mystic' and with band members hiding out under some very suspect names (James IV Boris, Allan "The River" Hudson, Simon Lust), now it seems this mystery has been solved thanks to a response to this video on youtube which unmasks the band as late 60s British psychedelic group Tangerine Peel and the band members who appeared in the film as Warwick Rose (Bass), James Gaynor (Guitar) and John Warwick (Drums). The song "Mark of Death" was written by Rose under the pseudonym of Jason De Havilland (Rose appears to be the person who posted this info on youtube).

 

The cross-dressing frontman who appears in this scene, and gives Robin Askwith a bloody nose, wasn’t a real member of Tangerine Peel though, he was the film's co-writer Alan Watson, and seems to have been quite a wild character in real life. There are some great stories about him in Barry Miles' Burroughs biography 'El Hombre Invisible' “In Mason's Yard, behind Antony Balch's apartment in St James, workmen building the new Cavendish Hotel used to play football during their breaks. Alan would sashay past them, hand on hip, blowing kisses and squeaking 'Score a goal for me, boys!'". The workmen would howl with laughter and shout abuse, but Alan loved it. He was a real exhibitionist.”



Monday, 2 March 2015

Staying Dead or Alive

As this blog now appears to be staying alive I thought I’d give a mention to an upcoming book about British horror films of the 1980s, I’ve written up a couple of bona fide horror titles for the book (Don’t Open Till Christmas, Moonstalker, Attack of the Killer Computer), some borderline entries (The Naughty Dreams of Miss Owen, Return to Waterloo) and proving we're nothing if not comprehensive a few films that never even got made (The Pike, Plasmid). More details about DEAD OR ALIVE - BRITISH HORROR FILMS 1980-1989 can be found in the publicity blurb below:




"DEAD OR ALIVE - BRITISH HORROR FILMS 1980-1989 Limited 'Festival Edition' - available for pre-order right now! (£20 per copy - please pay via PayPal to Darrell@buxton.freeserve.co.uk)

British horror films? In the 80s? Were there any?!

Prepared to be surprised. 'Dead or Alive' is the new book from the team behind 'The Shrieking Sixties' (British Fantasy Society Award nominee, 2011), and contains full-length, in-depth reviews of a procession of U.K. horror features made during "the decade that the British film industry forgot"! From the work of major talents such as Stanley Kubrick, Ken Russell, and Clive Barker, through to ambitious amateur items shot on video and Super-8, 'Dead or Alive' covers the whole range. The 80s were a time when the very notion of 'film' and 'filmmaking' changed forever - paving the way for the current 21st century boom in production, and new technologies and freedoms permitting anyone to have a go! As ever, the horror scene back then proved fertile ground for budding tyros and innovators, leaving the 80s awash with a bloody wave of terror both here and globally. Box office and critical hits, cult classics, undiscovered nuggets awaiting attention for over three decades - all are present, in a new book designed to reappraise the 80s as a bustling, inspirational era for British screen chills.

Edited by Darrell Buxton ('Samhain', 'Creeping Flesh', 'Giallo Pages', 'Offbeat', 'We Belong Dead') and with a foreword by pioneering independent director Michael J. Murphy ('Invitation To Hell', 'Nekros', 'Skare', 'Bloodstream'), 'Dead or Alive' contains new writing by a variety of acclaimed U.K. and international contributors. The book includes material on more than 90 British horror feature films, plus substantial sections on movies made for British TV, borderline fare, and short subjects. From celebrated chillers (HELLRAISER, THE COMPANY OF WOLVES, THE SHINING) to fondly remembered programme fillers and video store favourites (XTRO, INSEMINOID, DON'T OPEN TILL CHRISTMAS), not to mention heaps of obscurities (amateur and semi-pro offerings, supporting featurettes, and a forgotten Monty Python-related project among them), we guarantee that 'Dead or Alive' will leave you looking back at the eerie 80s in an entirely new way. Relax!

'Dead or Alive - British Horror Films 1980-1989' will be published in May 2015 but is available for pre-order from March. The book will be launched at a special event as part of the forthcoming FANTASTIQ festival, May 8-10 at Derby QUAD, and editor Darrell Buxton will also be appearing at the 2015 Southend Film Festival, May 21-25. "

Wednesday, 25 February 2015

Demolition


Loathe as I am to do so it looks like I may have to cave in to internet censorship and remove a significant amount of content from the gavcrimson blog. Received this email notice from blogger the other day, as it seems did everyone else who runs an ‘adult’ blog.

“Dear Blogger User,

 We're writing to tell you about an upcoming change to the Blogger Content

 Policy that may affect your account.

 

 In the coming weeks, we'll no longer allow blogs that contain sexually

 explicit or graphic nude images or video. We'll still allow nudity

 presented in artistic, educational, documentary or scientific contexts, or

 where there are other substantial benefits to the public from not taking

 action on the content.

 

The new policy will take effect on 23 March 2015. After this policy comes

 into force, Google will restrict access to any blog identified as being in

 violation of our revised policy. No content will be deleted, but only blog

 authors and those with whom they have expressly shared the blog will be

 able to see the content that we've made private.

Our records indicate that your account may be affected by this policy

 change. Please refrain from creating new content that would violate this

 policy. We would also ask you to make any necessary changes to your

 existing blog to comply as soon as possible so that you won't experience

 any interruptions in service. You may also choose to create an archive of

 your content via Google Takeout

 (https://www.google.com/settings/takeout/custom/blogger).

 

For more information, please look here

 (https://support.google.com/blogger?p=policy_update).

 

Yours sincerely,

 The Blogger Team”

 
This is a pain, albeit not a big surprise, the writing has been on the wall for a while what with google blogs that either have been flagged for adult content by their owners or their readers having been stigmatised by google and left out of their search engine results, and now this. Looking at my opinions it seems like I’d be best to edit the blog down to a ‘safe for work’ version and remove its ‘content warning’, that way hopefully it will avoid the cull at the end of March. Though if it does go down I might then look into starting up a new blog elsewhere. I feel allot more sorry for my friend Russ whose ‘kameraclub’ blog has similarly been marked for death, and clearly won’t even be salvageable under the new blogger rules, meaning all the work he has done on that blog will have been in vain come the end of march. Unlike my blog his is a comparatively new venture, with clearly allot more material that he has yet to share with people and which he no longer can do on blogger. There are some more of his own thoughts on what he can do next here: http://www.thekameraclub.co.uk/.../site-hosting-update.html

By sheer coincidence I had been considering taking my blog away from being so sexploitation heavy and diversifying its subject matter, but I do object to having my hand forced in this matter by censorship, and it is yet another worrying blow for freedom on the internet.

Saturday, 10 January 2015

RIP Lance Percival

RIP Lance Percival, I found myself watching him recently in an 1978 episode of Target, where he got to show his range by being cast against comedy type as a detestable hack writer, but he also brought considerable warmth and charm to one of my favourite films, 1968’s ‘Mrs Brown You’ve Got a Lovely Daughter’ where he played spoon playing, aristocratic tramp Sir Percy. On the basis of that role I’ve often thought Percival probably would have made for a decent Doctor Who, his ‘Mrs Brown’ turn suggests he would have slotted in quite well between Pertwee and T. Baker. An affectionate wave goodbye to this English Gent.